Thank you Claudia for sending it to me. I think you are very lucky to be living in this wonderful region.
This blog is for sharing my picture postcards received from time to time with folks who may be similarly interested. Please also see my stamps and first day covers blog www.letstalkstamps.blogspot.com
Welcome
Wednesday, October 15, 2014
The Salzkammergut, Austria
Thank you Claudia for sending it to me. I think you are very lucky to be living in this wonderful region.
Wednesday, March 19, 2014
Schafberg in Austria
Friday, October 04, 2013
The Venus of Willendorf
Wednesday, July 24, 2013
Turnau in Austria
Wednesday, April 10, 2013
Mozart
Theresa sent me this card.
Monday, March 25, 2013
Modern Art in Austria
Sunday, August 26, 2012
Opera House of Graz
Among the great musicians who have worked at the opera house, especially composer Robert Stolz (director of music at the age of 20) and conductor Karl Böhm rose to fame. Both were also born in Graz.
Tuesday, May 15, 2012
100 years of the incorporation of Floridsdorf into Vienna
This nice maximum card was sent to me by Daerden from Belgium. The card and the stamp on it were issued to commemorate 100 years of the incorporation of Floridsdorf into Vienna Today's Floridsdorf, Vienna's 21st District, with an area of 44.46m2, stands on land cultivated and developed by early man. The discovery there of stone axes suggests that it was inhabited as early as the Neolithic Age (ca. 4000 to 2000 BC). Celts settled here around 500 BC and the whole settlement area to the north of the Danube, known to the Romans as "Transdanubia", was fought over first by Germanic tribes and later by other invading peoples such as the Lombards, Avars and the Slavs. The settlement was initially called "On the Peak" ("Am Spitz") and belonged to the seminary of Stift Klosterneuburg. In 1786, the prelate at that time, Floridus Leeb, gave 30 plots along the Schlosshofer road to settlers and it is from him that the area takes its present name "Floridsdorf". What began as a predominantly agricultural area rapidly grew and developed as a result of the Nordwestbahn railway, flourishing industries and the steam tramway, which opened in 1885. In 1894 its status was elevated to that of a town.
Throughout the ages Floridsdorf's survival depended on the Danube as an important trading route. At the same time the raging torrent with its countless tributaries and branches wreaked havoc each year with severe flooding. It was not until 1870-1875 that measures were taken to regulate the Danube. Between 1972 and 1988 the high water defences were again reinforced so that Floridsdorf, like the other districts which border on the Danube, has since been protected from flooding.
Friday, September 23, 2011
Princely Treasures – Liechtenstein Museum Vienna


The second series of “Princely Treasures – Liechtenstein Museum Vienna” commemorative is devoted to the ceiling frescos by the Salzburg painter Johann Michael Rottmayr (1654–1730), as seen in the ladies’ and gentlemen’s apartments on the ground floor and in the stairwells of the Liechtenstein Garden Palace in Vienna’s Rossau District.
At the end of the 1680s, after a period of study in Venice where he had mastered the Venetian/Neapolitan mixed technique, Rottmayr returned to his homeland where he was commissioned to produce works for the Archbishop’s palace. In 1696 he settled in Vienna and there became one of the most significant Austrian Baroque painters.
His principal works include the frescos in the churches of St. Peter and St. Charles in Vienna, in the Melk collegiate church, the Klosterneuburg collegiate church and the Garden Palace in Rossau, Vienna, built under Prince Johann Adam Andreas I of Liechtenstein, where Rottmayr created one of the finest examples of his master craftsmanship. Rottmayr had not figured in the original plan for the Palace, which provided for Bologna artists only. However, after making a name for himself as a fresco painter with his recently completed work in the Great Hall of Schönbrunn Palace, in 1705 he was the only local-born artist engaged to paint the ground floor and two staircases. He completed this commission in 1708.
The first of the two stamps depicts “The surrender of the Golden Fleece to Jason” (face value CHF 1.40), an obvious reference to the conferring of the Order of the Golden Fleece on Rottmayr’s client in 1693, and “Ariadne giving Theseus the thread” (face value CHF 1.00). Thank you my dear friend Maria for these two maxi cards, nay, Princely treasures.






